Difference between revisions of "Zhang Yimou"
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| − | One of | + | One of China's fifth generation of filmmakers, Zhang Yimou is a noted film director and cinematographer whose prized works include “Red Sorghum,” “The Story of Qiu Ju” and “Not One Less.” His latest work, “The Love of the Hawthorn Tree,” about two young lovers from different economic backgrounds during the Cultural Revolution in the 1970s is now showing on Chinese mainland. |
Born in Xi’an, [[Shaanxi Province]], Zhang was born into a [[Kuomintang]] family, which brought him troubles in his early life. He was forced out of school and worked as a farmer and later a worker of a cotton textile mill in Xianyang City. But favoring art, he developed a hobby in painting and photography. In 1978, at 27, he entered the Department of Cinematography of the Beijing Film Academy, beginning his film career. | Born in Xi’an, [[Shaanxi Province]], Zhang was born into a [[Kuomintang]] family, which brought him troubles in his early life. He was forced out of school and worked as a farmer and later a worker of a cotton textile mill in Xianyang City. But favoring art, he developed a hobby in painting and photography. In 1978, at 27, he entered the Department of Cinematography of the Beijing Film Academy, beginning his film career. | ||
Revision as of 05:37, 21 April 2011
One of China's fifth generation of filmmakers, Zhang Yimou is a noted film director and cinematographer whose prized works include “Red Sorghum,” “The Story of Qiu Ju” and “Not One Less.” His latest work, “The Love of the Hawthorn Tree,” about two young lovers from different economic backgrounds during the Cultural Revolution in the 1970s is now showing on Chinese mainland.
Born in Xi’an, Shaanxi Province, Zhang was born into a Kuomintang family, which brought him troubles in his early life. He was forced out of school and worked as a farmer and later a worker of a cotton textile mill in Xianyang City. But favoring art, he developed a hobby in painting and photography. In 1978, at 27, he entered the Department of Cinematography of the Beijing Film Academy, beginning his film career.
Zhang’s films are always highly controversial and reviewed with a mixture of praise and criticism. His newest film is no exception. Reviews are split on the film adapted from a novel based on the memoirs of a middle-aged woman. Biao Jiang, a film critic, said, Zhang is talented in capturing the lost worlds and pure love. But some viewers were not convinced by Zhang’s depiction of true love. “The so called ‘pure love’ was created at a time when people were totally ignorant,” said one reviewer at view.news.qq.com.
No matter how the reviews come out, Zhang has never stopped experimenting with different styles. His early works, such as “Red Sorghum,” “Ju Dou,” “Raise the Red Lantern” and “The Story of Qiu Ju,” influenced many later art films. Meanwhile “Hero,” “House of Flying Daggers” and “Curse of the Golden Flower” demonstrate his commercial success, though most of them failed to impress audiences.
In 2008, the splendor of the opening ceremony for the Beijing Olympic Games helped Zhang, who directed the gala, regain his reputation as an artistic genius. Yale University earlier this year awarded him an honorary doctorate degree for fine arts, describing him as “a genius with camera and choreography.” “The Love of the Hawthorn Tree” is now being screened in South Korea for the Pusan International Film Festival.
