Difference between revisions of "Hailun paper-cuts"
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| − | + | [[Image:Hailun papercuts.jpg|thumb|right]] As an important part of the traditional art of [[Heilongjiang paper-cuts]], '''Hailun paper-cuts''' ('''海伦剪纸''') embrace the different styles of the northern and southern schools, vigorous but still exquisite, rough but still graceful. Its works, originally characterized by its folk style, are now developing more thematic and systematic. | |
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| − | As an important part of the traditional art of [[Heilongjiang paper-cuts]], '''Hailun paper-cuts''' embrace the different styles of the northern and southern schools, vigorous but still exquisite, rough but still graceful. Its works, originally characterized by its folk style, are now developing more thematic and systematic. | ||
| − | The representative works “Marriage Customs of [[Manchu]] Nationality”, “Facial Makeup Series of ''[[Peking Opera]]''” and many others sell well in more than 50 countries and areas, such as the United States, Japan, and France. | + | The representative works “Marriage Customs of [[Manchu]] Nationality”, “Facial Makeup Series of ''[[Peking Opera]]''” and many others sell well in more than 50 countries and areas, such as the United States, Japan, and France. |
| − | [[Category: | + | [[Category:Culture]] |
Latest revision as of 09:20, 29 January 2016
As an important part of the traditional art of Heilongjiang paper-cuts, Hailun paper-cuts (海伦剪纸) embrace the different styles of the northern and southern schools, vigorous but still exquisite, rough but still graceful. Its works, originally characterized by its folk style, are now developing more thematic and systematic.
The representative works “Marriage Customs of Manchu Nationality”, “Facial Makeup Series of Peking Opera” and many others sell well in more than 50 countries and areas, such as the United States, Japan, and France.
