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	<title>CIIC:Today's featured article/July 31, 2017 - Revision history</title>
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		<title>imported&gt;Ciic at 08:52, 31 July 2017</title>
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		<updated>2017-07-31T08:52:24Z</updated>

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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[file: The Peony Pavilion.JPEG|thumb|250px|left|The Peony Pavilion]]&lt;br /&gt;
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The great classical stage art of [[Kunqu]] is an ancestor of [[Peking Opera]] that first became popular in the 16th century. Kunqu was to remain [[China]]'s dominant national theatrical form for some 300 years, and although it lost its place as the nation's preeminent form of theatre with the rise of Peking Opera, a number of Kunqu troupes still perform regularly. They not only stage the great classics and create new ones, but they also make imaginative adaptations of some of those time-honored pieces. The [[Shanghai Kunqu Troupe]]'s production of '''''The Peony Pavilion''''' is one of these.&lt;br /&gt;
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'''''The Peony Pavilion''''' ('''牡丹亭'''), written in 1598, has long been considered the greatest Kunqu opera of all time. Its author was [[Tang Xianzu]], who lived from 1550 to 1617. A native of [[Jiangxi Province]], Tang was widely recognized as a man of immense learning, yet he failed to thrive as a government official. Exile, demotion and poverty marked his official career, but he left behind five Kunqu operas, among them ''The Peony Pavilion''. ([[The Peony Pavilion|More...]])&lt;/div&gt;</summary>
		<author><name>imported&gt;Ciic</name></author>
		
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